I depicted the explosion images from newspapers(2015) and screenshots of Pier Paolo Pasolini’s movie Salò o le 120 giornate di Sodoma(1975) - hands of the rulers and victims - to represent aspects of power and authority.
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我以爆炸的新聞圖片(2015) 及皮埃爾-保羅-帕索里尼的電影《索多瑪120天》(1975)中統治者及受害者的手的形態,再現權力的面貌。
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