TOBE KAN KIU SIN
  • Studio
  • Info
  • Instagram
Back to top
Le Mal I/II/III
惡痛・一/二/三

Double I/II/III
分身・一

2018
Coloured pencil on paper
木顏色紙本
​30 x 30cm (each)

Le Mal, Double (and Hallucination) I/II/III
​惡痛與分身(與幻覺)・一/二/三

2018
Lightbox acrylic sheet, LED lights, motor, wooden box
燈箱膠片,LED燈,摩打,木盒
​33 x 33 x 68cm (each)


​Eternal Return.
Before I realize of its return, it has already been there.
I depicted screens from The Birds (1963), Cría Cuervos (1976) and Salò o le 120 giornate di Sodoma (1975) as implications, transformed them into Phenakistiscope.
​The RPM of spinning light boxes corresponds to my age, and literally the month and date of my mother’s birthday.


​

​永劫回歸。
在我意識到它回來之前,它就已經來到了。
我挪用電影《鳥》(1963) 、《飼養烏鴉》(1976)和《索多瑪一百二十天》(1975)的畫面部份作為暗示,繪畫成詭盤。
燈箱的轉速跟我的年齡一致,亦跟我母親的出生月日數字相同。

Picture
Le Mal I
惡痛・一

Double I
分身・一

2018
Coloured pencil on paper
木顏色紙本
​30 x 30cm (each)

Picture
Le Mal II
惡痛・二/

Double II
分身・二

2018
Coloured pencil on paper
木顏色紙本
​30 x 30cm (each)

Picture
Le Mal I/II/III
惡痛・三

Double III
分身・三

2018
Coloured pencil on paper
木顏色紙本
​30 x 30cm (each)


Picture
Picture
Picture

Le Mal, Double (and Hallucination) I/II/III
​惡痛與分身(與幻覺)・一/二/三

2018
Lightbox acrylic sheet, LED lights, motor, wooden box
燈箱膠片,LED燈,摩打,木盒
​33 x 33 x 68cm (each)

Picture
Picture
Picture
© Kan Kiu Sin
  • Studio
  • Info
  • Instagram