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Le Mal I/II/III
惡痛・一/二/三 Double I/II/III 分身・一 2018 Coloured pencil on paper 木顏色紙本 30 x 30cm (each) |
Le Mal, Double (and Hallucination) I/II/III
惡痛與分身（與幻覺）・一/二/三 2018 Lightbox acrylic sheet, LED lights, motor, wooden box 燈箱膠片，LED燈，摩打，木盒 33 x 33 x 68cm (each) |
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Eternal Return. Before I realize of its return, it has already been there. I depicted screens from The Birds (1963), Cría Cuervos (1976) and Salò o le 120 giornate di Sodoma (1975) as implications, transformed them into Phenakistiscope. The RPM of spinning light boxes corresponds to my age, and literally the month and date of my mother’s birthday. |
永劫回歸。 在我意識到它回來之前，它就已經來到了。 我挪用電影《鳥》(1963) 、《飼養烏鴉》(1976)和《索多瑪一百二十天》(1975)的畫面部份作為暗示，繪畫成詭盤。 燈箱的轉速跟我的年齡一致，亦跟我母親的出生月日數字相同。 |
